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fileApple-Color-1-5-Essentia-7PRC

Apple Color Essential Training
  • MOV00. Welcome00 01. Welcome.mov8.51MB
  • MOV00. Welcome00 02. Using the exercise files.mov3.42MB
  • MOV01. Setup01 01. Understanding the technical requirements of Color.mov3.65MB
  • MOV01. Setup01 02. The basics of suite setup.mov7.75MB
  • MOV01. Setup01 03. Essential equipment Three-button mouse.mov2.51MB
  • MOV02. Color Concepts02 01. What is color grading.mov6.93MB
  • MOV02. Color Concepts02 02. Understanding the color wheel and tonal range.mov5.96MB
  • MOV02. Color Concepts02 03. Decoding technical terminology for color grading.mov9.56MB
  • MOV03. Color Workflows03 01. Overview of Color workflows.mov8.51MB
  • MOV03. Color Workflows03 02. Round-tripping with Final Cut Pro and Color.mov16.19MB
  • MOV03. Color Workflows03 03. Emulating a tape-to-tape workflow.mov4.91MB
  • MOV03. Color Workflows03 04. The RED workflow Ingesting as ProRes.mov12.87MB
  • MOV03. Color Workflows03 05. The RED workflow Ingesting as RED QuickTime files.mov11.55MB
  • MOV03. Color Workflows03 06. Importing DPX and Cineon files to create offline QuickTime files.mov13.73MB
  • MOV04. Preparing a Final Cut Pro Project for Color04 01. Evaluating a Final Cut project.mov11.27MB
  • MOV04. Preparing a Final Cut Pro Project for Color04 02. Creating self-contained clips.mov21.21MB
  • MOV04. Preparing a Final Cut Pro Project for Color04 03. Dealing with composited clips.mov13.54MB
  • MOV04. Preparing a Final Cut Pro Project for Color04 04. Working with stills and freeze frames.mov11.27MB
  • MOV04. Preparing a Final Cut Pro Project for Color04 05. Working with speed-adjusted clips.mov10.55MB
  • MOV04. Preparing a Final Cut Pro Project for Color04 06. Working with multiclips.mov6.84MB
  • MOV05. Overview of Color05 01. Nigating the Color Finder and opening projects.mov11.82MB
  • MOV05. Overview of Color05 02. Understanding the eight rooms of Color.mov15.48MB
  • MOV05. Overview of Color05 03. Essential preferences and project settings.mov17.02MB
  • MOV05. Overview of Color05 04. Nigating the Color timeline.mov23.48MB
  • MOV05. Overview of Color05 05. Understanding how to read Scopes.mov19.14MB
  • MOV05. Overview of Color05 06. Evaluating contrast with Scopes.mov9.13MB
  • MOV05. Overview of Color05 07. Evaluating color with Scopes.mov10.86MB
  • MOV06. king Corrections in the Primary In Room06 01. What does the Primary In room do.mov14.97MB
  • MOV06. king Corrections in the Primary In Room06 02. Using the Color Balance controls to affect tonal range.mov10.79MB
  • MOV06. king Corrections in the Primary In Room06 03. Correcting underexposed footage with the Color Balance controls.mov9.86MB
  • MOV06. king Corrections in the Primary In Room06 04. Correcting overexposed footage with the Color Balance controls.mov8.50MB
  • MOV06. king Corrections in the Primary In Room06 05. Expanding contrast ratio with the Color Balance controls.mov14.82MB
  • MOV06. king Corrections in the Primary In Room06 06. Correcting color casts with the Color Balance controls.mov11.91MB
  • MOV06. king Corrections in the Primary In Room06 07. Using Primary Curves.mov12.28MB
  • MOV06. king Corrections in the Primary In Room06 08. Making contrast corrections with the Primary Luma curve.mov11.98MB
  • MOV06. king Corrections in the Primary In Room06 09. Making color corrections with Primary Curves.mov14.62MB
  • MOV06. king Corrections in the Primary In Room06 10. Using the Basic and Advanced tabs of the Primary In room.mov14.35MB
  • MOV06. king Corrections in the Primary In Room06 11. Making primary corrections using the RED tab.mov14.99MB
  • MOV07. king Secondary Corrections07 01. What does the Secondaries room do.mov11.12MB
  • MOV07. king Secondary Corrections07 02. Using the HSL eyedropper.mov9.32MB
  • MOV07. king Secondary Corrections07 03. Refining HSL keys with the HSL qualifiers.mov20.88MB
  • MOV07. king Secondary Corrections07 04. Creating vignettes.mov13.96MB
  • MOV07. king Secondary Corrections07 05. Creating user shapes.mov21.17MB
  • MOV07. king Secondary Corrections07 06. Changing colors using the Hue curve.mov9.34MB
  • MOV07. king Secondary Corrections07 07. Leing and removing colors using the Saturation curve.mov8.91MB
  • MOV07. king Secondary Corrections07 08. Making luma adjustments to specific colors.mov8.36MB
  • MOV07. king Secondary Corrections07 09. Using multiple secondaries.mov12.00MB
  • MOV08. Using the Color FX Room08 01. What does the Color FX room do.mov10.38MB
  • MOV08. Using the Color FX Room08 02. Using presets and downloading Color FX looks.mov10.95MB
  • MOV08. Using the Color FX Room08 03. Creating node trees.mov13.82MB
  • MOV08. Using the Color FX Room08 04. Interlaced footage and node trees.mov7.02MB
  • MOV08. Using the Color FX Room08 05. Creating a day-for-night look.mov12.07MB
  • MOV08. Using the Color FX Room08 06. Creating a defocused vignette.mov9.67MB
  • MOV08. Using the Color FX Room08 07. Creating a film look.mov12.44MB
  • MOV09. intaining Broadcast Safety and Making Corrections Using the Primary Out Room09 01. What is broadcast-safe color.mov3.62MB
  • MOV09. intaining Broadcast Safety and Making Corrections Using the Primary Out Room09 02. Using the broadcast-safe controls.mov6.73MB
  • MOV09. intaining Broadcast Safety and Making Corrections Using the Primary Out Room09 03. Making corrections using the Primary Out room.mov12.33MB
  • MOV09. intaining Broadcast Safety and Making Corrections Using the Primary Out Room09 04. Maintaining RGB legality with Final Cut Pro's RGB Limit filter.mov11.38MB
  • MOV10. The Geometry Room10 01. What does the Geometry room do.mov8.33MB
  • MOV10. The Geometry Room10 02. Creating pan and scan adjustments.mov17.26MB
  • MOV10. The Geometry Room10 03. Autotically motion-tracking corrections.mov17.23MB
  • MOV10. The Geometry Room10 04. nually motion-tracking corrections.mov14.70MB
  • MOV11. Grade nagement11 01. Using multiple grades.mov18.70MB
  • MOV11. Grade nagement11 02. Copying and dragging corrections and grades.mov15.68MB
  • MOV11. Grade nagement11 03. Sing corrections and grades.mov17.48MB
  • MOV11. Grade nagement11 04. Using groups.mov15.23MB
  • MOV11. Grade nagement11 05. Using the Still Store room.mov13.23MB
  • MOV12. king Corrections Over Time12 01. How to keyframe in Color.mov18.20MB
  • MOV12. king Corrections Over Time12 02. Keyframing exposure changes.mov14.14MB
  • MOV12. king Corrections Over Time12 03. Keyframing for a mood change.mov9.69MB
  • MOV12. king Corrections Over Time12 04. Keyframing vignettes.mov14.38MB
  • MOV13. Conforming and Reconforming Projects13 01. What are conforming and reconforming.mov3.01MB
  • MOV13. Conforming and Reconforming Projects13 02. Using a Cine Tools database to conform a project.mov10.37MB
  • MOV13. Conforming and Reconforming Projects13 03. Reconforming a Final Cut Pro project.mov7.09MB
  • MOV14. Rendering and Output14 01. Preparing for rendering and output.mov7.41MB
  • MOV14. Rendering and Output14 02. Adding clips to the render queue and rendering.mov14.07MB
  • MOV14. Rendering and Output14 03. Rendering RED projects.mov7.44MB
  • MOV14. Rendering and Output14 04. Using the render log.mov5.02MB
  • MOV14. Rendering and Output14 05. Sending a Color project back to Final Cut Pro.mov5.05MB
  • MOV14. Rendering and Output14 06. king changes after rendering from Color.mov8.05MB
  • MOV14. Rendering and Output14 07. Dealing with gam and color space for delivery.mov11.81MB
  • MOV15. Conclusion15 01. Goodbye.mov906.91KB
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